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Paris looks to Instagrammers to boost city museum visits

Maybe you’ve heard the term “influence.” It’s the moniker marketers have given to the heavy hitters of social media with considerable follower counts (often in the tens or hundreds of thousands). You know, the Kendall and Gigis currently dominating our world. Well, Paris Musées, the public institution that oversees 14 of the city’s municipal museums, has cottoned on to this new media wave and is turning to Instagram as a platform to raise awareness and boost museum attendance. To promote its recently launched site, which houses a searchable digital collection of all the museums’ works, Paris Musées has commissioned 10 Instagram from various art backgrounds to re-create or reinterpret some of these iconic works.

The campaign, created in a partnership with digital agency Kindai, has hard data on social media influence to back it up. In 2014, the agency published a study that found cultural institutions in France benefited the most from an associated Instagram post — accounting for about 53 percent of related Instagram visits. Philippe Rivière, the head of digital service at Paris Musées, said while he hopes younger generations will be inspired by the campaign, the idea behind the collaborations was really “to reach a diverse audience while keeping the artistry and aesthetics” of the collections intact.

To do this, Paris Musées matched its 10 influential Instagram, culled from artistic disciplines like fashion, humor, illustration, photography, with a notable work emblematic of a particular museum. This process, which Rivière said some museums found to be challenging, often resulted in several works being pulled for an artist’s consideration. “Some museums, like Cernuschi, do not have [an] easy piece of art to remake,” he says. “In this case, we had to find creative Instagram — in this case Rafael Mantesso — to provide a completely different view.

“Paris is fortunate to be one of the cultural cities of the world,” says Rivière. “That said, everyone does not have the opportunity to go there, even living in France. … This platform can be a way of preparing [for] the visit or even make you want to visit a particular museum.”

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